Kathaleen
McDonald
Dr.
Wielgos
Senior Seminar
3 October 2017
Response Nine: What is Digital Humanities Anyway?
This seems like something that I feel
should have been addressed in week one rather than week six. However, I did
really enjoy the readings for this response, which were both Digital Humanities
Manifestoes from UCLA, Bob Samuel’s “Race to the Bottom: A Critical Response to
the UCLA Humanities Task Force,” and the Whitepaper “The Promise of Digital
Humanities.” I feel like I now have an even better understanding of what
digital humanities is, and how I can support it in my future classroom.
I loved Bob Samuel’s article. He is
just so angry, and seems like he is way too rooted in tradition. He’s arguing
that lecturers jobs will be threatened by offering online classes (especially
over the summer), it’ll cost more money to offer online classes, and that
students will receive a less-than-stellar education compared to students who
are traditionally taught through lecture. One thing that Samuel said that I agree
with, though, is that he says that UCLA’s authors of this task force “actually
suggest placing faculty from other departments who continue to have low
workloads into writing classes.” I think that having professors who are not
trained in teaching writing could be very detrimental to a student’s education,
English major or not. Everyone needs good writing and literacy skills because,
as we have been discussing in class, many employers are looking for candidates
who have good writing and literacy skills. I think Samuel’s other accusations
sound a little ridiculous, but I think there are classes that are okay to teach
online, such as math and creative writing, whereas some classes should stay in
the classroom, such as art or biology. Those are the classes I would suggest,
but I’m sure others may feel differently. This is also not to say that
technology shouldn’t be included in the classes where instruction is held in
person, since there is always room for technology in the classroom.
I really enjoyed reading the Digital
Humanities Manifestoes. I felt like I got a lot more out of The Digital Humanities
Manifesto 2.0, since the first manifesto they published was pretty much
reiterated and for the most part word-for-word in the second manifesto. I think
what I took away the most from this manifesto was under paragraph fifty-two (I’m
not sure exactly how to phrase how the manifesto categorizes its points). The authors
state “Digital Humanities represent an effort not to downplay or ‘downsize’
these traditional merits but, on the contrary, to reassert and reinterpret
their value in an era when our relation to information, knowledge, and cultural
heritage is radically changing, when our entire cultural legacy as a species is
migrating to digital formats.” I think a lot of people think that digital
humanities and technology are trying to change everything there is about the
humanities, whereas digital humanities is really just trying to keep with the
times, and make sure the legacy of the humanities continues to live on.
Finally, the Whitepaper gives a very
exact definition of digital humanities and how it can be characterized. The authors
state that the digital humanities can be characterized as interdisciplinary,
collaborative, socially engaged, global, and timely and relevant (3). Under
timely and relevant, the authors say that in order for twenty-first century
students to be in the competitive job market, digital humanities teaches
students “the critical thinking skills, media literacies, and technical
knowledge necessary for success in the digital information age” (3).
I think that digital humanities
should be celebrated instead of scrutinized (I’m looking at you, Bob Samuel). I
think that as technology becomes more prominent in our everyday lives,
especially the lives of twenty-first century students, digital literacy needs
to be taught now more than ever, so students can be ready to enter the world where
technology is a force to be reckoned with.
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